NICODEMUS COMES TO JESUS

John 3.1-17: NicodemusNicodemus came to Jesus by night (John 3:1-17, Lent 2A). Their conversation included some of the most familiar - and contested - words in scripture about being born again - or born from above. The meaning of their conversation is not as easily interpreted by visual artists, but the setting and staging of the visit offers food for visual thought.  Henry Ossawa Tanner (1859-1937) painted Nicodemus' visit to Jesus. Along the way to his final composition he painted several different studies. Some things change; others are consistent through all versions. The changes and the consistencies help tell the story.  In all three works here (two studies and a completed oil), the conversation appears to take place outside, on the roof of a house. In all compositions, Jesus sits with his back to the cityscape. Nicodemus, in looking at Jesus, looks out over the people and buildings of the city. In the finished oil, Jesus' face is a warmer tone than that of Nicodemus. Jesus' face is highlighted by the golden light that shines up the stairs. Nicodemus, by contrast, is shaded in the cool blue-gray of the night.

John 3.1-17: Nicodemus

Nicodemus came to Jesus by night (John 3:1-17, Lent 2A). Their conversation included some of the most familiar - and contested - words in scripture about being born again - or born from above. The meaning of their conversation is not as easily interpreted by visual artists, but the setting and staging of the visit offers food for visual thought.

Henry Ossawa Tanner (1859-1937) painted Nicodemus' visit to Jesus. Along the way to his final composition he painted several different studies. Some things change; others are consistent through all versions. The changes and the consistencies help tell the story.

In all three works here (two studies and a completed oil), the conversation appears to take place outside, on the roof of a house. In all compositions, Jesus sits with his back to the cityscape. Nicodemus, in looking at Jesus, looks out over the people and buildings of the city. In the finished oil, Jesus' face is a warmer tone than that of Nicodemus. Jesus' face is highlighted by the golden light that shines up the stairs. Nicodemus, by contrast, is shaded in the cool blue-gray of the night.